Samson from which work? "The Station Agent"
In the story “The Station Warden” we are shown the image of one little man. We see how much he was humiliated honest man how cruelly he was humiliated and trampled into the ground, he was considered low and poor in material wealth.
The poor caretaker of the postal service, Samson Vyrin, was portrayed as such a person. This man received visiting guests from other countries at his home, provided them with food, drink and warm comfort, and in the morning harnessed the horses for a long journey. This man did his work with a clear conscience and soul, he never wished harm to anyone. He received low humiliations in his address for his poor quality work. Despite everything, he did not give in to insults and was not disappointed in his work. After all, he had a meaning to life, there was something to live for. This is his own fourteen-year-old daughter Dunyasha. She reciprocated her father's feelings and did all the housework: cooking and cleaning. Samson raised her alone after the death of his wife. Duna received all the love and care of her father, Samson gives himself completely and takes care of his daughter with all his might.
On the narrator’s first visit, Samson Vyrin was full of strength, fresh and cheerful, despite his hard work. For the second time after the narrator's arrival, the mountain has changed a lot. He seemed to have lost the meaning of life, stopped taking care of himself and began to drink heavily. His only daughter Dunyasha went to live with a rich chosen one. My father was hurt by Dunya’s departure from his life; he considered it a treacherous act. After all, her father did not deprive her of anything, but she betrayed him, even old age and poverty did not break him as much as this action.
Samson understood that Dunya was in the insulting situation of being the lover of her chosen one, that other equally simple-minded ladies were seduced by wealth, and then they were thrown out into the street. But despite everything, her father was ready to forgive her everything, if only she would come to her senses and come back! But it would seem that Dunya no longer knew her father. Samson had already lost the meaning of life; he now had no one to work and live for. He began to drink and sink in his own eyes. Samson Vyrin is a man of honor and duty, for him comes first clear conscience and soul, so this knocked him off his feet.
This story ended tragically. Samson was unable to bring his daughter home and, due to grief, began to drink even more; he soon died.
Characteristics of Samson Vyrin
“The Station Agent” is one of the stories included in a series of works united by one common name"Tales of the late Ivan Petrovich Belkin." This story talks about the plight of the most ordinary, ordinary people - station guards. The author emphasizes the point that, despite the apparent ease, the duties of these people are difficult and sometimes extremely thankless work. They are often even blamed for the fact that the weather is bad outside, or that the horses refuse to ride, etc. It's always the caretaker's fault. Many do not consider them to be people at all, but by their character and disposition they are peaceful, helpful, and modest people. And their fates are mostly difficult, filled with suffering, tears and regret.
Samson Vyrin's life was exactly the same as that of the other caretakers. Just like the others, he had to silently endure endless insults and complaints in his direction, so as not to lose the only opportunity to support his family. Samson Vyrin had a very small family: he and his beautiful daughter. At the age of 14, Dunya was very independent and was an irreplaceable assistant for her father in everything.
In the company of his daughter main character happy, and even the greatest difficulties have no power over him. He is cheerful, healthy, sociable. But a year later, after Dunya secretly left with the hussar, his whole life literally turned upside down.
Grief changed him beyond recognition. From now on, the reader is presented with the image of an aged, degraded person who is addicted to drunkenness. Being a man for whom honor and dignity are above all, he could not accept his daughter’s dishonorable act and come to terms with what happened. All this simply did not fit in his head. He could not even in his thoughts allow his own daughter, whom he loved and protected so much, to act with him, and most importantly, with herself - in this way, becoming not a wife, but a mistress. The author shares Samson Vyrin’s feelings and respects his honest, sincere position.
For Vyrin, there is nothing more important than honor, and no wealth can replace it. Having suffered the blows of fate many times, he was never broken by it. But this time something terrible and irreparable happened, something that made Vyrin stop loving life, sinking to the very bottom. The act of his beloved daughter turned out to be an unbearable blow for him. Even constant need and poverty were nothing for him in comparison with this. All this time, the caretaker was waiting for his daughter's return and was ready to forgive her. What frightened him most was how such stories usually ended: when young and stupid girls are left abandoned alone, beggars and useless to anyone. What if the same story happened to his beloved Dunya? Out of despair, the father could not find a place for himself. As a result, the unfortunate father began to drink out of inconsolable grief and soon died.
Samson Vyrin personifies the image of the joyless life of ordinary people, station guards, filled with grief and humiliation, whom every passer-by strives to offend. While it was precisely such people who exemplified honor, dignity and high moral qualities.
The image of the little man Samson Vyrin in the story Station Warden essay for 7th grade
Roads, crossings. Anyone who has had to travel and change horses at inns knows what it is. It’s such a shame that you can’t continue your journey because there are no horses at the station. Wow, the station guards got it for this. Especially if the traveler was in high ranks.
Out of duty, and not out of idle curiosity, I also had to travel a lot, and all sorts of things happened. At one of these transshipment points, fate brought me together with a stationmaster, Samson Vyrin. A man of low rank, responsible for his duties. His daughter Dunya helped him in his difficult task. Many knew the inn, and even stopped in specifically to see Dunya. The caretaker understood this and, even in his heart, was proud of it.
But this couldn't go on forever. But no one imagined how life could change. It all happened on a winter evening, of course, not without Dunya’s consent. The young man undoubtedly acted vilely, repaying the hospitality by kidnapping his daughter. No one began to consider the feelings of the old caretaker, not the doctor, not the officer himself, not even his beloved daughter.
Left alone, Samson Vyrin could not come to terms with loneliness and ignorance, so he took a vacation and went in search of Dunyasha. In St. Petersburg, where the traces of the fugitives led, he stayed with a friend. In an unfamiliar city, it is very difficult for one, and also without enough money and power, he had to humiliate himself in front of everyone he asked how to find Captain Minsky.
Whether Dunya was intimidated or did not want to communicate with her poor father, the caretaker was kicked out. After that, he returned to his place, terribly worried about his daughter. Does Dunya really not have a drop of love left for the man who raised her? Yes, he was not rich, but he gave all the warmth of his noble soul to his only girl. And she didn’t even want to give the news that everything was fine with her. He was advised to file a complaint against Minsky, but pride and pride did not allow him to humiliate himself in front of those who offended him. For the caretaker it was great grief. But he was not so much worried about the insult inflicted on him as about the future of his daughter. If he knew that Dunya was doing well, he would have come to terms with his status as an outcast.
It turns out that if a person is poor and does not have a worthy rank, he is not considered anything. He is not welcome anywhere
Option 4
Samson Vyrin is the main character of Pushkin’s story “The Station Warden.” He is represented in the image of a “little man”. He lives at his station and has no wealth. He is greatly humbled by his life. He was constantly humiliated by people who came to the station. He was mistaken for a beggar. But he was honest, kind, and most importantly fair.
His work at the station was not difficult for him. He received travelers from long journey and arranged for them to rest. Samson always let people into his house. Then he watered the horses and gave them rest. And the next day, he accompanied the travelers on their way to the next station. He will do all his work honestly and with a pure soul. He always wished those who left the station a safe journey. But no one reciprocated his feelings. After him kind words he heard only insult and humiliation. To this Samson did not answer, but only quietly laughed in response. He did this in order not to lose his job, which he needed to raise his daughter Dunya. She helped her father, cooked and cleaned. She had to grow up without a mother. The father spent all his time on his only daughter and showered her with all his love.
The entire story is based on the story. The story is about a man who arrived at the station. Samson did good first impression of yourself. The narrator described him as a kind and cheerful person. When the narrator arrives next year to the station, he finds Samson as a morally broken man. He stopped shaving and started drinking a lot of alcohol. The narrator also noticed that Samson had grown very old. When the narrator begins to ask Samson what happened in his life, he tells his life story. It turns out for last year Samson faced the betrayal of his own daughter. A rich landowner stopped by Samson at the station and invited Duna to go with him, and she agreed. This act turned Samson's life upside down. Even the poverty in which he lived before did not bother him more than this act.
The secondary and seemingly insignificant heroes of the Master and Margarita actually have quite a significant significance in the outline of the narrative. Baron Meigel appears in Chapter 23 at Woland's ball, where he invited himself.
Platov is an important character in N. S. Leskov’s work “Lefty”. This is a brave Cossack who accompanies the Tsar on his trips.
The key characters of the work, which is part of the “Notes of a Hunter” cycle, are two singers participating in the song competition - Yashka the Turk and Ryadchik.
In the summer, when the earth is glowing with heat, a man is walking across the field and inhales the sultry air that merrily tickles his nose. The sun shines so brightly and cheerfully that a person’s soul also becomes wonderful and festive.
SAMSON VYRIN
SAMSON VYRIN- stationmaster, unfortunate official of the 14th (last) class, “a real martyr” of the position, father of his daughter Dunya, taken by a hussar to St. Petersburg.
The story told to Belkin by the titular adviser A.G.N. is placed in the fourth cycle, but in the footnote to the letter of “one respectable husband” it is placed in first place; This is hardly accidental. Samson Vyrin is the most complex of the figures presented in the cycle; social motives are spelled out here in great detail. No matter how much Pushkin emphasizes his difference from the “proto-storyteller” (i.e. from A.G.N.; he is at least 10 years older, because by the beginning of the story he has been traveling “in all directions” for 20 years), the emphasized sincerity and compassion of intonation reveals the author’s constant presence in the text.
The “plot” of Vyrin’s life is simple to the point of despair, although this does not prevent him from almost completely repeating the outlines of the plot of Marmontel’s sentimental story “Loretta” about the village farmer Basil, whose daughter leaves with the Comte de Luzy, who pretended to be ill. Basil goes in search and finds his daughter living in abundance; returns her and eventually “officially” marries her to the count.
By the time A.G.N. meets Vyrin (1816), the caretaker’s wife had already died - while he himself was still cheerful and businesslike; the house rests on young Duna, who is beautiful. A visiting hussar (Minsky) with a black mustache, struck by her beauty, fakes an illness and eventually takes Dunya to the capital; Vyrin’s trip for “poor Dunya” does not produce results. First, the hussar tries to pay him off (as if repeating the gesture of Erast from “Poor Liza” by N. M. Karamzin, against the backdrop of which the “Belkin” story is created). Then - when Dunya, “dressed in all the luxury of fashion,” faints at the sight of her father suddenly appearing, Minsky drives Samson Vyrin away. Left alone, the caretaker drinks himself to death; Dunya, in a six-horse carriage, with three little horses and a nurse, comes to cry at his grave...
And yet, from the very beginning, the author introduces the modest story of the caretaker into the general philosophical context of the cycle. All the heroes of “Tales” in one way or another look at life through the prism of schemes that are not generated by life itself. This can be a “romantic” scheme - as in “Blizzard”, or pastoral (but also associated with Shakespeare) - as in “The Young Peasant Lady”, or “Byronic” - as in “The Shot”, or simply “professional” - like in The Undertaker. Samson Vyrin also has his own scheme of perception of life. It is reflected in the pictures “with decent German poetry” hung on the walls of his “humble but neat abode.” (A technique common in “Walter Scott” Russian novelism; cf. corresponding episodes in the novels of M. N. Zagoskin.)
Four pictures depict episodes from the parable of the Prodigal Son. The first shows a “venerable old man” in a dressing gown who blesses the “restless young man” and gives him a bag of money; the second depicts the “depraved behavior” of a young man surrounded by “false friends and shameless women”; the third offers the image of a squandered young man in rags and a triangular (!) hat - among the pigs with whom he “shares” his “meal”; the fourth is dedicated to the triumph of a venerable old man who accepts his repentant son into his arms (“in the future, the cook kills a well-fed calf”). The narrator describes the pictures in a deadly funny way; the rhetorical cliches that he parodies are extremely far from the religious and mystical meaning of the “source” - gospel parable about the prodigal son. Here mysticism is replaced by “philistine” morality; This everyday morality underlies Vyrin’s worldview.
Samson Vyrin views everything that happened to him through the prism of these pictures. For him, Dunya’s flight is tantamount to the departure of an ungrateful young man (“Didn’t I really love my Dunya...”). Her life in the capital must correspond to the scene of “depraved behavior.” It must - and it doesn’t matter that the hussar Minsky turned out to be by no means a “false” friend for his daughter, that she is rich, free and even has some power over her lover; that Minsky promises him: “...she will be happy, I give you my word of honor” - and in the end he keeps his word; that in life everything turns out differently than envisaged by Vyrin’s “scenario”. It’s not that Vyrin doesn’t see reality, it’s just that for him it is less real than the life scheme of a bourgeois idyll (“Biedermeier”), and therefore he repeats his mother’s words almost word for word “ poor Lisa" N. M. Karamzina: "You still don’t know how evil people they can offend the poor girl,” - she’s waiting for Dunina’s life to repeat the outlines of the third picture - “There are a lot of them in St. Petersburg, young fools, today in satin and velvet, and tomorrow, you’ll see, sweeping the streets along with the tavern’s nakedness.” He is waiting, because only after this, after the daughter’s complete catastrophe in life, will the turn of the fourth picture come - the repentant return of the “prodigal daughter” will take place. And, as if sensing that this will not happen, Samson Vyrin wishes his beloved Dunya to die...
However, the story about the stationmaster is truly the most complex in its construction in the entire cycle. The hero’s views are socially motivated - in his own way, he is right; such “romantic” stories with abductions most often end in disaster. (Here, according to the author’s plan, the reader should again remember Karamzin’s story - its tragic ending.) In addition, the image of Samson Vyrin is reflected in several other literary mirrors. First, the narrator ironically recalls the poems of the book. Vyazemsky about the “college registrar”, the postal station “dictator”, in order then - contrary to the quote - to awaken in the reader sympathy for this unfortunate “dictator”, whom anyone can offend. Thus - gradually and implicitly - the caretaker appears as a victim of society; its “formula” is derived from the experience of living in this society. Another thing is that the caretaker does not want with open eyes, look around yourself impartially in order to see through “social” life the life of life itself, its unpredictable fullness. The laws of existence are unpredictable, open to the good will of Providence or at least to chance; its flow can also invade social space, changing the usual course of things. Samson Vyrin completely rejects this possibility; Moreover, he seems to enter and grow into the image of the suffering father, in the literal sense of the word “revels” in his sadness, so that the narrator rushes to reflect the hero in yet another literary mirror, this time a crooked one. The somewhat theatrical gesture of a drunken caretaker, “picturesquely” wiping away tears “with his lap,” is compared with the behavior of the “zealous Terentich” in “Dmitriev’s beautiful ballad” (“Caricature”).
The limitedness of the social scheme corresponds to the ordinariness of Vyrin’s “pictures”; the ultimate openness of being itself corresponds to what is lost in these pictures religious meaning gospel "source". While the caretaker waits for events to line up in the sequence “prompted” by his pictures, free flow life puts everything together in its own way. Contrary to the “pictures” and in accordance with the spirit of the Gospel. The story of Dunya's arrival and her repentant cry at her father's grave unravels the plot of the story and finally connects it with the plot of the prodigal son. True, Vyrin himself will never see this again.
The complex organization of the image of Samson Vyrin suggested the possibility of his perception in a purely “literary”, and in a religious, and in a purely social manner. It was the social mask of Vyrin’s “little man” that was used by writers and critics of the early “natural school” (for example, Makar Devushkin in F. M. Dostoevsky’s “Poor People” reads “The Station Warden,” as if recognizing his predecessor in Samson Vyrin).
Literature:
Altman M. S.“Humiliated and Insulted” and “Station Warden” // Slavia. 1937. Ro?. 14.
Bocharov S. G. Pushkin and Gogol: “The Station Agent” and “The Overcoat” // Problems of the typology of Russian realism / Ed. N. L. Stepanova, U. R. Fokhta. M., 1969.
Surat I. Poor caretaker: On the literary background of A. S. Pushkin’s story // Literary works XVIII–XIX centuries in historical and cultural context. M., 1985.
Fate ordinary person, which does not stand out in any way, with its sorrows and joys, has long worried many creative people. From the artists' canvases, the townspeople looked obediently and humbly at the world. The same applied to literature: humility, obedience and hopelessness of the common people were taken for granted.
Prerequisites for creating a character named Samson Vyrin
The characteristics of creativity at the beginning of the 19th century indicate that romanticism as a movement embraced prose and poetry, music and painting. Writers and poets - educated people and mostly representatives of the aristocracy and nobility - understood that romantic plots, hackneyed characters and images were far from harsh reality. Change is needed.
A hopeless way of life, superstitiousness reaching the point of obscurantism, humility, servility and humility before those who are higher in position - all this remained outside the scope of creativity. IN early XIX century, the country was overwhelmed by an ideology defending the right to life and freedom of every person. Naturally, this could not but affect the art of that time.
In the works of many poets, artists and writers of this era, a transition to realism was made. A.S. Pushkin was also at its origins. He is one of the first writers in Russia who drew attention to the fate of a simple, ordinary, in a word, “little man.”
This is the hero of one of Belkin’s Stories - Samson Vyrin. The characterization of this character will allow the reader to understand that society is indifferent to the problems of such people. It is confident that their destiny is humility, and it is stupid to ask the “little man” for protection from the strong.
“Belkin’s Tales”: realism in Pushkin’s works
The appearance of a collection of stories by a certain I.P. Belkin in the early thirties did not foretell anything out of the ordinary. Perhaps this would have happened if the author of these lines had not been A.S. Pushkin, who told everyone that he was only the publisher of the collection.
"Belkin's Tales" marked new stage not only in Pushkin’s work, but also opened the way for a new direction in the development of Russian literature. Its name is realism. The author makes you look at hackneyed stories from a different angle. This was the transition to real life. From traditional norms and techniques accepted in literature, to the world and man.
WITH great love the author introduces the reader to modest characters and the events of their lives. But the master's pen gives them deep significance and opens hidden secrets souls. The characterization of the caretaker Samson Vyrin in “The Station Agent” reveals this topic very well.
The narration in the work is conducted on behalf of the narrator I.P. Belkin, who introduces the reader into the powerless world of the petty bureaucratic class. Despite all the difficulties associated with the position of caretaker, they are peaceful, helpful people, not money-loving and sociable.
This is exactly the main character of the work - the station guard Samson Vyrin. The characteristics of representatives of this profession from the very first words give general idea about him as a calm, patient, hardworking person.
Once in the N-skaya province I found Belkin pouring rain, and upon arrival at the station he was forced to change clothes and drink hot tea. The caretaker, a cheerful man of about fifty, told his daughter to put on the samovar. A girl of about fourteen, with huge blue eyes, amazed Ivan Petrovich with her extraordinary beauty.
While the owners were doing their work, the guest examined their poor but tidy home - geraniums bloomed on the windows, there was a bed behind a colorful curtain, on the walls there were pictures from the biblical story of the prodigal son. Short but apt phrases the narrator lets you know better stationmaster. Samson is a retired military man; judging by his medals, he participated in military battles. Widower.
To the guest’s questions, the caretaker replied that Dunya was his daughter, intelligent and hard-working, just like her mother. The father spoke “with an air of satisfied pride.” This small remark complements the characterization of the station superintendent Samson Vyrin, presenting him as a loving, caring father, proud of his child, whom he raised himself. This is his only joy and hope.
Dunya - daughter of Samson Vyrin
Soon Dunya, the caretaker’s daughter, returned with a samovar, the guest began to talk to the girl. The little coquette quickly realized that she had made a great impression on him, and answered his questions without any timidity. The guest alone did not want to sit at the table and invited the hosts. Over a cup of tea they talked as if they had known each other for many years.
The horses were ready a long time ago, but I didn’t want to part with the owners. Finally, having gathered, the guest asked the girl for permission to kiss her on the cheek goodbye. Belkin, who has seen a lot, says that he could not forget this kiss for a very long time.
The narrator's short phrases perfectly reveal the image of Dunya, on whom the entire household rests. The attentive girl immediately stopped sewing when Minsky first appeared at the station and raised his voice. Kindly asked if he wanted to eat. Hardworking and hard-working, she does all the housework, sews her own dresses, and helps her father with his work.
Everyone likes the beautiful Dunya. And to the ladies who gave them a handkerchief or earrings. And to the gentlemen who stopped under the pretext of having lunch, but in reality - to admire her. The girl knows this very well. But secretly from her father, she allows herself to be kissed by an unfamiliar man.
The tragedy of Samson Vyrin
A few years later, Ivan Petrovich returns to the same station and enters a familiar house. But he sees a completely different picture, as if he was in the wrong place. There are no flowers on the windows, there is negligence and disrepair all around. The caretaker, who was sleeping under his sheepskin coat, woke up, and the guest hardly recognized Samson Vyrin. Three or four years until they saw each other turned him into a frail, gray-haired old man.
The daughter was nowhere to be seen. The old man remained silent when asked about her. Only a glass of punch stirred him up. And the guest heard sad story. One day a young officer stopped at the station. Pretending to be sick, he stayed in the caretaker's house for several days. The arriving doctor, having talked with the guest at German, confirmed that he was unwell.
This episode reveals the characterization of Samson Vyrin as a kind and trusting person. Not noticing the deception, he gives up the bed to the supposedly sick Minsky. When the hussar got ready to leave and undertook to give Dunya a ride to the church, the father himself allowed his daughter to go with the captain. As a result, the hussar takes her to St. Petersburg.
The father finds no place for himself. Having begged for leave, he sets out on foot to find his daughter. Having found Minsky, Vyrin begs in tears to return his daughter. The hussar began to assure his father that he loved her and would never leave her. He put several banknotes in Samson’s hand and sent him out. But Vyrin angrily trampled the money.
A few days later, Samson Vyrin saw Minsky’s droshky driving down the street. From the coachman I learned that Dunya lived in the house where the hussar entered. Vyrin entered the house and saw his daughter, fashionably dressed and looking vaguely at the captain. Dunya, noticing her father, fell unconscious. Minsky became angry and pushed Samson out into the street. The caretaker returns home in deep sadness.
Hussar Minsky
Minsky is one of the main characters in the work “The Station Agent”. The narrator introduced him as a lively, cheerful and wealthy gentleman. The young officer, a nobleman, gives a generous tip. In order to stay with the beautiful Dunya longer, he pretends to be sick and, as a result, takes Dunya away from her home.
In St. Petersburg he rents her a separate apartment, as decency required. Dunya loves him. Obviously, Minsky responds in kind. He tells the heartbroken father that he is not going to leave his daughter, and gives him his word of honor that she will be happy. Having become Minsky's companion, the girl lives in luxury, she has her own servant. And yet, when the father wants to meet with his daughter, the captain tries to get rid of him and gives him money.
After some time, the narrator Belkin happened to visit these places again. The station no longer existed, and the boy who settled in Vyrin’s house said that Samson had already died a year ago. He took the guest to the caretaker’s grave and told him that a beautiful lady with three children came in the summer. I went to the rural cemetery and cried for a long time at the grave.
Nature of the conflict
At the center of the story is the “little man,” caretaker Samson Vyrin. His characterization throughout the narrative represents an honest, decent, good-natured man. He willingly communicates with people, loves the neighbor's children, carves pipes for them and treats them with nuts. An open and sweet person, he nevertheless knows his place, humbly performs his difficult work, and endures the shouts and pushes of the guests.
The obedient Samson cannot bear the insult inflicted on him by the officer and nobleman Minsky. Unable to come to terms with the loss of his daughter, he goes to St. Petersburg to save Dunya, whom he believed would soon be thrown out onto the street by the insidious seducer. But everything turned out to be much more complicated. The hussar fell in love with his daughter and even turned out to be a conscientious person. He blushed at the sight of his deceived father. And Dunya responded to the young officer with mutual feelings.
Tears of indignation welled up in Samson’s eyes when Minsky handed him money. He threw them to the ground, but returned a little later, and the banknotes were no longer there. This episode allows you to see not only Vyrin’s powerless position, but also to observe the invisible battle between the nobleman Minsky and the “little man.”
“Trampled with his heel” - the phrase clearly shows Vyrin’s indignation and moral superiority. But, again, the words “thought” and “returned” somewhat disappoint the reader. Yes. The “little man” has not yet matured before conscious rebellion.
Belkin, on his next visit, trying to get the caretaker to talk, pours him punch, “of which he pulled out five glasses.” Inconspicuous words - “picturesquely” wiped away tears, “pulled out” instead of the usual “drank” - once again point to the weakness of the Russian peasant. A man accustomed to the firm hand of a cruel master. IN in this case- daughter's love.
Having achieved nothing, the grief-stricken father, confident that his daughter is unhappy, quietly drinks himself to death after returning home. The loss deprived him of the meaning of life. Society looked at him indifferently and silently. It's stupid to ask a little one weak person protection from the strong. And the caretaker died from his own helplessness.
Artistic originality of the story
Many of the actions of heroes today are incomprehensible. But in Pushkin’s time they were natural. Apparently, the captain kept his word. But, for some reason, he could not immediately marry the girl. In those days, marriage threatened resignation, and Minsky had considerable rank. Again, Dunya is homeless, perhaps his parents would not like it.
The author wished not to tell the reader this. But one thing is clear: whatever the reasons, it took time to resolve them. And Dunya comes to her father only when her secret hope has come true. Three children, a wet nurse, six horses, money testifies successful outcome this story. However, the author does not say a word about the girl’s marriage.
The author left a lot of “unsaid” passages. Perhaps his intention was not to reveal his heroes, not to expose them? It’s about focusing the reader’s attention on “ little man" To open his compassionate and sensitive soul, responding to other people's pain and misfortunes.
Dunya blames herself for her father's death. All in tears, the prodigal daughter asks for forgiveness at his grave. But it's too late. Perhaps the reader will forgive Dunya, as the narrator Belkin forgave her, who “gave the boy a penny and did not regret” either the trip or the money spent...
Samson Vyrin is a former military man, at the moment in the story he is appointed as a stationmaster in the city of N.
A simple-minded and trusting man, about 50 years old, in good physical shape. He is dominated by a love of life, a sense of humor and a love of drinking. Widower. He loves his daughter, Dunya, endlessly. He treats his work carefully and with respect. He really tries to provide all possible conveniences to visitors who arrive at his point, no matter what rank they are awarded.
Characteristics of the hero
Samson is not shown as a lonely, tired or roughened “worn out” caretaker, as travelers are accustomed to seeing his “brothers in the workplace.” Encouraging his interlocutors, Samson won over him with stories and table tales.
His joy and support in everything is his daughter Dunya. After the death of his wife, light came to Duna, Samson lived and gave people his energy, for the happiness of his daughter. In the story he is shown as a good, correct father. Dunechka’s spontaneity, in turn, is not hidden by the author. A.S. Pushkin revealed her character and potential behavior in one sentence: the narrator kissed the girl with her consent and even remembered and singled out this moment from hundreds and thousands of those that had already happened to him more than once. Which openly suggests that it is difficult to call Dunya an innocent, trembling flower, even though she is shown as an obedient and dutiful daughter. She loves and respects her father - she is not afraid, but she loves him. But does she understand that Samson lives exclusively for her and for her sake? Hardly.
After his daughter ran away with a visiting hussar, Samson’s life changed dramatically. At first, in search of the truth, he, forgetting himself, rushed in search of his blood. Soon he was humiliated by Minsky's tax, who shamelessly stole his daughter from him and did not give him the opportunity to see him even after Samson found them.
Melancholy, a lack of understanding of “why” and enormous worries about Dunya’s fate bring Samson first to a hospital bed, then to the bottom of a bottle. Such an unpleasant transformation from a fighting young man into a gloomy, withdrawn old man struck both the narrator and, of course, the readers. Life left Samson along with Dunechka, who fled into the unknown.
However, despite his personal experiences, Samson did not become embittered with people, they continued to love him in the city of N and he devoted a lot of time to the local children, even if he spent time in the local pub. He made no more attempts to see Dunya after their fleeting meeting in one of the city houses, where his father got there by cunning. But the reader remains confident that Samson was waiting for her return and there was not a day without worries and pain for his only child, which bent our main character, who so soon left the world of the living.
The image of the hero in the work
The main character is assigned the most unusual and difficult of simple roles. It’s just that a stationmaster is just an inconspicuous job, which is thought of as “easy” and practically an empty place. Tying it up workplace to a person, passers-by mix stereotypes with reality, erasing the importance of the attitude towards the individual himself, completely forgetting that the person who meets them on the road, fills out the route map, changes horses and is responsible for comfort and health, has his own flow and changes personal life and the meaning of that very life is lost.
Throughout the story, from the first meeting of the narrator and the main character, to last lines, Samson remains a warm, sincere, dear person. Like an old neighbor from childhood, treating you to ranetki from his garden or making funny crafts. Local, everyone's favorite "Uncle" loving life and to the people, despite the fact that with his sincere kindness and care he was deceived by the hussar and betrayed by his only daughter.
History has no bad ending. Dunya returned to see her father. I didn’t have time during my lifetime, I lay on the grave near the cross and cried. She loved, wanted to see, perhaps she did not go because of fear and shame in front of him. She didn't disappear or disappear. Minsky, apparently, did not abandon her, as he promised his father when they met. Three times mother, in chic clothes and with independent finances, she came for forgiveness, to introduce grandfather to his grandchildren. So the local boy reported to our narrator, removing from his soul the stone of the difficult question about the fate of these wonderful people.
Left a reply Guest
“The Station Warden” is one of the stories included in the famous work of A. S. Pushkin, “The Stories of the Late Ivan Petrovich Belkin.” In “The Station Warden” the author introduces us to the difficult, joyless life of ordinary people, namely station guards, during the times of serfdom. Pushkin draws the reader’s attention to the fact that in the seemingly stupid and ingenuous performance of their duties by these people lies hard, often thankless work, full of troubles and worries. Why don't they blame the stationmaster? “The weather is unbearable, the road is bad, the driver is stubborn, the horses don’t carry - and the caretaker is to blame...”. Few of those passing by take stationmasters for people, more for “monsters of the human race,” and yet “these much-maligned stationmasters are generally peaceful people, naturally helpful, inclined to live together, modest in their claims to honor and not too money-loving.” Few of those passing by are interested in the life of the station guards, and yet, as a rule, each of them has a difficult fate, in which there is an abundance of tears, suffering and grief.
The life of Samson Vyrin was no different from the life of station wardens like him, who, in order to have the bare essentials to support their family, were ready to silently listen and just as silently endure endless insults and reproaches addressed to them. True, Samson Vyrin’s family was small: he and his beautiful daughter. Samson's wife died. It was for the sake of Dunya (that was the name of the daughter) that Samson lived. At the age of fourteen, Dunya was a real helper to her father: cleaning the house, preparing dinner, serving a passer-by - she was a master of everything, everything was easy in her hands. Looking at Dunina’s beauty, even those who had made it a rule to treat station attendants rudely became kinder and more merciful.
When we first met Samson Vyrin, he looked “fresh and cheerful.” Despite the hard work and the often rude and unfair treatment of those passing by, he is not embittered and sociable.
However, how grief can change a person! Just a few years later, the author, having met Samson, sees before him an old man, unkempt, prone to drunkenness, dully vegetating in his abandoned, untidy home. His Dunya, his hope, the one who gave him strength to live, left with an unfamiliar hussar. And not with his father’s blessing, as is customary among honest people, but secretly. Samson was scared to think that his dear child, his Dunya, whom he protected as best he could from all dangers, did this to him and, most importantly, to herself - she became not a wife, but a mistress. Pushkin sympathizes with his hero and treats him with respect: honor for Samson is above all, above wealth and money. Fate beat this man more than once, but nothing made him sink so low, so stop loving life, as the act of his beloved daughter. Material poverty for Samson is nothing compared to the emptiness of his soul.
On the wall in Samson Vyrin’s house there were pictures depicting the story of the prodigal son. The caretaker's daughter repeated the hero's action biblical legend. And, most likely, like the father of the prodigal son depicted in the pictures, the stationmaster was waiting for his daughter, ready for forgiveness. But Dunya did not return. And the father could not find a place for himself out of despair, knowing how such stories often end: “There are many of them in St. Petersburg, young fools, today in satin and velvet, and tomorrow, you’ll see, sweeping the street, along with the tavern’s nakedness. When you sometimes think that Dunya, perhaps, is disappearing right there, you will inevitably sin and wish for her grave...”
The stationmaster's attempt to return his daughter home did not end well. After this, having drunk even more from despair and grief, Samson Vyrin died.
In the image of this man, Pushkin showed the joyless life of ordinary people, selfless workers, filled with troubles and humiliations, whom every passer-by and traveler strives to offend. But often such ordinary people, like stationmaster Samson Vyrin, is an example of honesty and high moral principles.
