Mayakovsky's love lyrics letter to Tatyana Yakovleva. Analysis of the poem by Mayakovsky V

Almost all the poetry created by Vladimir Vladimirovich Mayakovsky has a patriotic orientation. But lyrical notes were not alien to the poet. The work “Letter to Tatyana Yakovleva” is biographical in its own way and is associated with life story, directly related to the author.

The poet's life story tells about an old meeting that happened in Paris. It was here that he met a beautiful young woman whose name was Tatyana Yakovleva. He immediately fell in love with the girl and invited her to go with him to Moscow, back to the Soviet Union. But Tatyana refused to leave France, although she was ready to connect her life with the poet if he settled with her in Paris. After Mayakovsky left, the young people corresponded for some time and in one of his letters he sent poetic lines to his beloved.

“Letter to Tatyana Yakovleva” V. Mayakovsky


In a kiss hands,
lips,
in body trembling
those close to me
red
color
my republics
Same
must
blaze.
I don't like
Parisian love:
any female
decorate with silks,
stretching, I doze off,
having said -
tubo -
dogs
brutal passion.
You are the only one for me
height level,
stand next to me
with an eyebrow eyebrow,
give me
about this
important evening
tell
humanly.
Five o'clock
and from now on
poem
people
dense forest,
extinct
populated city,
I only hear
whistle dispute
trains to Barcelona.
In the black sky
lightning step,
thunder
swear
in the heavenly drama, -
not a thunderstorm
and this
Just
Jealousy moves mountains.
Stupid words
don't trust raw materials
don't get confused
this shaking -
I will bridle
I will humble you
feelings
offspring of the nobility.
Passion measles
will come off as a scab,
but joy
inexhaustible,
I'll be there for a long time
I'll just
I speak in poetry.
Jealousy,
wives,
tears...
well them! -
eyelids will swell,
fits Viu.
I'm not myself
and I
I'm jealous
for Soviet Russia.
Saw
patches on the shoulders,
their
consumption
licks with a sigh.
Well,
we are not to blame -
hundred million
it was bad.
We
Now
so gentle towards those -
sports
You won’t straighten out many, -
you and us
needed in Moscow
not enough
long-legged.
Not for you
in the snow
and typhus
walking
with these legs
Here
for caresses
hand them over
at dinners
with oil workers.
Don't think
just squinting
from under straightened arcs.
Come here
go to the crossroads
my big ones
and clumsy hands.
Don't you want to?
Stay and winter
and this
insult
We'll reduce it to the general account.
I don't care
you
someday I'll take it -
one
or together with Paris.

Analysis of the poem “Letter to Tatyana Yakovleva”

The work begins with lines that are an appeal. The author focuses on the fact that this message, a letter in verse, is addressed to Tatyana Yakovleva. The poet tries to present the lines as simply and clearly as possible, using a colloquial form. It should be noted that there is a lot of sincerity in the poem, it is written in a confidential tone and is very similar to an assertive confession central character creations.

A couple of lines are enough and the image of the woman to whom the author is addressing becomes clear to the reader. Mayakovsky describes both the appearance and the internal state of the heroine. Vladimir calls his beloved to talk.

When reading the poem, one gets the impression that the work consists of two separate parts. There are contrasts between two worlds, each of which is assessed by the poet - these are Paris and the Soviet Union. These two worlds in the author’s perception are very huge and are capable of drawing into their orbit both the heroes themselves and their thoughts, feelings, and abilities.

Paris in poetic lines is not described in the most unflattering way. It is full of luxury and all sorts of pleasures that are unacceptable for a poet. The author is not comfortable with Parisian suspicious love. Mayakovsky describes the city as boring and mentions that after five in the evening all movement stops there. In Russia, everything is completely different. He likes his homeland, he loves it and believes in its speedy revival.

It should be noted that the work combines both personal and civil views on life in an original way. Gradually the lyrical beginning moves on to a discussion of social values young state, Soviet Union, and the poet begins to talk about his beloved homeland. He points out that the jealousy comes not only from him, but also from Russia itself. The theme of jealousy in the work is of particular importance; it is traced in almost all stanzas of the poem and is closely related to the civil plan.

According to some critics, the work “Letter to Tatyana Yakovleva” can be called completely differently - “The Essence of Jealousy.” The author notes that he does not understand jealousy, and this is how he expresses his thoughts about love and the existing universe.

Jealousy in the work is presented in the form of a universal cataclysm. Thus, the author tries to convey to the reader the state own soul, and also shows the possibilities of the titanic power of passion that boils in his chest. It is also worth noting that the poet is very ashamed of the fact that he is jealous and considered such passions to be a dangerous disease.

Mayakovsky believes that those words that were uttered under the influence of love are very stupid. IN in this case only the heart speaks and phrases take on a simplified form, without taking into account true purpose. The author tries to convey to the reader that the need for beauty is required not only for a person, but also for the entire Motherland. At the same time, the poet feels offended that his beloved remains in Paris and does not want to come to him. Here he notes that due to the fact that there were constantly various wars on the territory of the state, people truly began to appreciate the beauty of their homeland.


The poem “Letter to Tatyana Yakovleva” provides reflections on the real essence of love. Vladimir contrasts this feeling with jealousy and distinguishes two types of sensations. The first is the Parisian relationship, which he rejects in every possible way, because he does not believe that it can be truly sincere. The opposite type of love is a united love for a woman and for Russia itself. This decision and outcome of actions is the most correct for the poet. He gives many arguments indicating the obviousness of his decision.

But nothing can be done about it... the poet and his beloved girl belong completely different worlds. Tatyana Yakovleva completely loves Paris and only with it does a woman associate images of love. The author gives his whole soul to his homeland - the young state, the Soviet Union.

The poet notes that although a new state was formed in place of Russia, this is precisely the land on which Tatyana once walked. He seems to appeal to the heroine’s conscience, shames her and is offended by the woman’s reluctance to remain faithful to her land to the end. But somewhere in the middle of the poem Mayakovsky allows his beloved to remain in foreign country: “stay and spend the winter”, taking a certain break.

The work also touches on the theme of military operations in Paris. The author remembers Napoleon and what Russian troops They had previously defeated the French with defeat - in 1812. This raises the hope that the Parisian winter will weaken his beloved, just as the winter in Russia once weakened Napoleon’s army. He hopes with all his might that sooner or later Tatyana Yakovleva will change her decision and still come to Russia.

The work describes in a special way the main lyrical hero. He looks like big baby, which combines both limitless spiritual power and defenselessness. The author strives to protect his loved one in a unique way, to surround him with warmth and care.

Mayakovsky explains to the girl the compatibility of personal preferences with public ones, doing it directly and openly. He knows that there is always a choice. But everyone must make this choice themselves, without looking at their surroundings. Vladimir made his choice a long time ago. He cannot imagine his life away from his homeland. Its interests are firmly intertwined with the interests of the young state. For Vladimir there is no difference between personal and social life, he combined everything into one single thing.

The poem traces true sincerity. The poet wants to receive beauty and love not only for himself, but for all of Secular Russia. The author's love is compared to a national debt, the main one of which is to return Tatyana Yakovleva to her homeland. If main character will return, according to the author, Russia will receive that piece of beauty that was missing for so long against the backdrop of disease and dirt. It is precisely this that is missing for the revival of the homeland.

Love, according to the poet, is a certain unifying principle. The author believes that it is the revolution that can revive past glory and put an end to conflicts. It should be noted that for the sake of love for a bright future, Mayakovsky was ready to do anything, even step on his own throat.

Before his death, the poet becomes disillusioned with his previous views and beliefs. It was only towards the end of his life that he realized that love has no boundaries, neither in personal preferences nor in social ideas.

Poem by Mayakovsky Letter to Tatyana Yakovleva

Nowadays, when moral problems become increasingly higher value and sharpness, it is important for us to “see” Mayakovsky more fully and sharply as greatest lyricist. He is here - a pioneer of world poetry of the twentieth century. A pioneer not only in political, socially naked, civil lyrics, but also in poems about the revolution, its heroes...

Rejecting even in the pre-October period the “chirping” bourgeois poets who “with rhymes, chirping, from loves and nightingales” boil “some kind of brew,” Mayakovsky, in best traditions Russian and world lyric poetry, acts as a passionate singer and defender of true love, elevating and inspiring a person:

And I feel -

Not enough for me.

Someone breaks out of me stubbornly.

Who's speaking?

Your son is beautifully sick!

His heart is on fire.

Mayakovsky jokingly said that it would be good to find a reasonable use for human passions - at least make the turbines rotate - so that the charges of energy would not be wasted. The joke turned out to be true for at least one of the passions - love. The salvation for the poet turned out to be creativity and inspiration hidden in the underground depths of this passion.

Not heaven but tabernacles,

It's buzzing about

What again

Put into operation

Cold motor.

The famous lines about the creative power of love (“To love is torn sheets, insomnia, to break down, jealous of Copernicus ...”) were truly a huge artistic discovery of Mayakovsky. In them his talent was freely and widely revealed, celebrating his victory over “chaos” and “inertia.” As if freed from the force that humiliated him, the poet opened up completely to meet a new emotion that reconciled his heart and mind. The poem “Letter to Tatyana Yakovleva” is also characteristic in this regard. The beginning of a poetic message addressed to a beloved woman is surprisingly unusual. At the same time, it is characteristic of Mayakovsky, for whom everything is inseparable from the revolution, both in poetry and in life, in the fate of the Motherland and the fate of each of its fellow citizens:

Is it in the kiss of hands,

In body trembling

Those close to me

of my republics

Flame.

The addressee of the letter is a person really close to the poet:

You are the only one for me

Level in height

Stand next to me

With an eyebrow eyebrow,

About this

Important evening

Tell

In a human way.

But it's not that simple. Rejecting with his mind jealousy - “the feelings of the offspring of the nobility,” the poet is jealous of his beloved for Paris: “... it’s not a thunderstorm, but it’s just jealousy that moves mountains.” Realizing that jealousy can offend the woman he loves, he strives to reassure her, and at the same time tell her what she means to him, how dear and close she is:

Passion measles will scab away,

But joy

Inexhaustible,

I'll be there for a long time

I'll just

I speak in poetry.

And suddenly a new twist on a deeply personal topic. As if returning to the beginning of the poetic message, the poet excitedly says:

I'm not myself

For Soviet Russia.

Again, at first glance, such a statement may seem, to put it mildly, somewhat strange and unexpected. After all we're talking about about a deeply personal, intimate feeling, about love and jealousy for a woman from Russia, who, due to circumstances, found herself far from her homeland - in Paris. But the poet dreams that his beloved will be with him in Soviet Russia...

Don't think

Just squinting

From under straightened arcs.

Come here

Go to the crossroads

my big ones

And clumsy hands.

My beloved is silent. She remains in Paris for now. The poet returns home alone. But you can't order your heart. Again and again he remembers with excitement everything that happened in Paris. He still loves this woman. He believes that in the end his love will win:

Don't you want to?

Stay and winter

And this is an insult

We'll put it down for the general account.

I don't care

Someday I'll take it -

Or together with Paris.

To discover a person of the future means to open oneself, to open, to really feel this future in one’s soul and heart. This is how some of the best love poems in our poetry by Vladimir Mayakovsky were born.

The lyrics of Vladimir Mayakovsky are very unique and particularly original. The fact is that the poet sincerely supported the ideas of socialism and believed that personal happiness cannot be complete and comprehensive without public happiness. These two concepts were so closely intertwined in Mayakovsky’s life that for the sake of love for a woman he would never have betrayed his homeland, but on the contrary he could have done very easily, since he could not imagine his life outside of Russia. Of course, the poet often criticized the shortcomings of Soviet society with his characteristic harshness and straightforwardness, but at the same time he believed that he lived in the best country.

In 1928, Mayakovsky traveled abroad and met in Paris the Russian emigrant Tatyana Yakovleva, who in 1925 came to visit relatives and decided to stay in France forever. The poet fell in love with the beautiful aristocrat and invited her to return to Russia as his legal wife, but was refused. Yakovleva reacted with restraint to Mayakovsky's advances, although she hinted that she was ready to marry the poet if he refused to return to his homeland. Suffering from unrequited feelings and from the realization that one of the few women who understands and feels him so well is not going to part with Paris for his sake, Mayakovsky returned home, after which he sent his chosen one a poetic message “Letter to Tatyana Yakovleva” - sharp, complete sarcasm and, at the same time, hope.

This work begins with the phrases that love fever cannot overshadow the feelings of patriotism, since “the red color of my republics must also burn,” developing this theme, Mayakovsky emphasizes that he does not love “Parisian love,” or rather, Parisian women, who skillfully disguise their true essence behind clothes and cosmetics. At the same time, the poet, turning to Tatyana Yakovleva, emphasizes: “You are the only one who is as tall as me, stand next to my eyebrow,” believing that the native Muscovite, who has lived in France for several years, compares favorably with the cutesy and frivolous Parisians.

Trying to persuade his chosen one to return to Russia, Mayakovsky tells her without embellishment about the socialist way of life, which Tatyana Yakovleva is so stubbornly trying to erase from her memory. After all new Russia– this is hunger, disease, death and poverty, veiled under equality. Leaving Yakovleva in Paris, the poet experiences acute feeling jealousy, because she understands that this long-legged beauty has enough fans even without him, she can afford to travel to Barcelona for Chaliapin’s concerts in the company of the same Russian aristocrats. However, trying to formulate his feelings, the poet admits that “it’s not me, but I’m jealous of Soviet Russia.” Thus, Mayakovsky is much more gnawed by resentment that the best of the best are leaving their homeland than ordinary male jealousy, which he is ready to bridle and humble.

The poet understands that besides love, he can offer nothing to the girl who amazed him with her beauty, intelligence and sensitivity. And he knows in advance that he will be refused when he turns to Yakovleva with the words: “Come here, to the crossroads of my large and clumsy hands.” Therefore, the ending of this loving and patriotic message is filled with caustic irony and sarcasm. The poet’s tender feelings are transformed into anger when he addresses his chosen one with the rather rude phrase “Stay and winter, and this is an insult to the general account of the underdog.” By this, the poet wants to emphasize that he considers Yakovleva a traitor not only to himself, but also to his homeland. However, this fact does not at all cool the romantic ardor of the poet, who promises: “I will take you sooner – alone or together with Paris.”

It should be noted that Mayakovsky never managed to see Tatyana Yakovleva again. A year and a half after writing this letter in verse, he committed suicide.

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Analysis of Mayakovsky’s poem “Letter to Tatyana Yakovleva”

The eternal theme of the lyrics - love - runs through the entire work of Vladimir Mayakovsky, from the early poems to the last unfinished poem “Unfinished”. Treating love as the greatest good, capable of inspiring deeds and work, Mayakovsky wrote: “Love is life, this is the main thing. Poems, deeds, and everything else unfold from it. Love is the heart of everything. If it stops working, everything else dies off, becomes superfluous, unnecessary. But if the heart works, it cannot but manifest itself in everything.” Mayakovsky is characterized by a broad lyrical perception of the world. Personal and social merged in his poetry. And love - the most intimate human experience - in the poet’s poems is always connected with the social feelings of the poet-citizen (poems “I Love”, “About This”, poems “Letter to Tatyana Yakovleva”, “Letter to Comrade Kostrov from Paris about the essence of love”).

Mayakovsky's life with all its joys and sorrows, pain, despair - all in his poems. The poet's works tell us about his love, when and what it was like. In Mayakovsky’s early poems, mention of love occurs twice: in the 1913 cycle of lyric poems “I” and lyric poem“Love” They talk about love without regard to the poet’s personal experiences. But already in the poem “Cloud in Pants” the poet talks about his unrequited love for Maria, with whom he fell in love in 1914 in Odessa. He described his feelings this way:

Mother!

Your son is beautifully sick!

Mother!

His heart is on fire.

The paths of Maria and Vladimir Mayakovsky diverged. But no more than a year has passed, and his heart is again torn by the pangs of love. His love for Lilya Brik brought him a lot of suffering. His feelings are reflected in the poem “Spine Flute,” written in the fall of 1915. A few years later, already in Soviet times, Mayakovsky wrote one after another the poems “I Love” (1922) and “About This” (1923). In severe despair, reflecting on life and death, he speaks of the paramount meaning of love for him: “It’s scary not to love, horror - don’t dare” - and regrets that the joys of life did not touch him. But at the beginning of 1929 in the magazine “The Young Guard” appears “Letter to Comrade Kostrov from Paris about the essence of love.” From this poem it is clear that it appeared in the poet’s life. new love, that “the hearts of the frozen ones have been put to work again! motor". This was Tatyana Yakovleva, whom Mayakovsky met in Paris in the fall of 1928.

This is how her friends, artist V.I., recalled Mayakovsky’s meeting with Tatyana Yakovleva. Shukhaev and his wife V.F. Shukhaeva: “...They were a wonderful couple. Mayakovsky is very beautiful, big. Tanya is also a beauty - tall, slender, to match him. Mayakovsky gave the impression of a quiet lover. She admired and clearly admired him, was proud of his talent.” In the twenties, since Tatiana had poor health, her uncle, artist A.E. Yakovlev, who lived in Paris, took his niece to live with him. When Mayakovsky returned to Moscow, Tatyana missed him very much. She wrote to her mother: “He aroused in me a longing for Russia... He is so colossal both physically and morally that after him there is literally a desert. This is the first person who left a mark on my soul... His feelings for me are so strong that it is impossible not to reflect them at least to a small extent.” The poems “Letter to Comrade Kostrov...” and “Letter to Tatyana Yakovleva” dedicated to Tatyana Yakovleva are imbued with a happy feeling of great, true love.

The poem “Letter to Tatyana Yakovleva” was written in November 1928. Mayakovsky's love was never just a personal experience. She inspired him to fight and create, and was embodied in poetic masterpieces imbued with the pathos of the revolution. Here it is said like this:

Is it in the kiss of hands,

lips,

In body trembling

those close to me

red

color

my republics

Same

must

blaze

Pride and affection sound in the lines addressed to the beloved:

You are the only one for me

height level,

stand next to me

with an eyebrow eyebrow,

about this

important evening

tell

humanly.

Mayakovsky writes with slight irony about jealousy as a manifestation of deep love:

Jealousy,

wives,

tears...

well them!

He himself promises not to offend his beloved with jealousy:

...I will bridle

I will humble you

feelings

offspring of the nobility.

Mayakovsky cannot imagine his love being away from his homeland, so he persistently calls Tatyana Yakovleva to Moscow:

We are now

so gentle towards those -

sports

you won’t straighten many, -

you and impudent

are needed in Moscow,

not enough

long-legged.

The end of the poem sounds like a call to respond to his love:

Don't think

just squinting

from under straightened arcs

Come here

go to the crossroads

my big ones

and clumsy hands.

The original work of V. Mayakovsky was filled with extraordinary and very exciting works. He was quite an ideological person and believed in socialism. In his opinion, a person cannot have personal happiness if there is no happiness in society. He was a desperate patriot and would never have betrayed his homeland because of his love for women.

Once, while traveling in Paris, Mayakovsky met a Russian woman, Tatyana Yakovleva. Having visited such a romantic city, she did not want to return to Russia and remained to live abroad. Vladimir was madly in love with a woman, he proposed marriage to her, he asked her to return to her homeland. But Tatyana refused him, hinting that she would be his wife only if they stayed to live in Paris. Of course, Mayakovsky did not agree to such conditions and went home.

Already on the territory of his homeland, he writes a poetic work in the form of a sharp letter and sends it to Tatyana. At the very beginning of the poem, the author says that his feelings as a patriot are much stronger than love. He says that he does not believe in the love of French women at all. He does not like those who hide their true essence behind cosmetics and clothes.

Turning to Tatyana, Vladimir asks her to stand next to him, on a par with him. He persuades the woman to return, he writes and reminds her of real life, which cannot be erased from their lives. Mayakovsky is incredibly jealous of Tatyana, because he understands that such a beauty has a lot of fans even without him. He also writes that he is consumed by all-Russian jealousy for the fact that such beautiful women simply leave their homeland.

Mayakovsky has absolutely nothing to offer Yakovleva. He has nothing but love. He understands that he will be refused. And this causes anger in his soul.

The last lines of the poem are filled with sarcasm and rudeness. He calls Tatyana a traitor. And, despite all this, he still promises to achieve her consent. But these two people were never destined to meet again. Soon, Mayakovsky left this world, committing suicide.